Author: Ram Kumar

On 10 December 2024, Professor Ramachandra Guha, Distinguished University Professor, SIAS, and a renowned historian and writer engaged in an enlightening conversation with Dr Bharath Sundaram, Sundram Fasteners Associate Professor of Environmental Studies, SIAS. The discussion revolved around Professor Guha’s latest book, Speaking With Nature, marking his return to environmental research.  

In this book, Professor Guha challenges the common perception that countries like India, often labeled “too poor to be green,” lack environmental awareness. Through meticulous research, he uncovers a largely unacknowledged prehistory of the global environmental movement rooted in India, extending beyond Western narratives. The book highlights the contributions of ten remarkable individuals — Rabindranath Tagore, Radhakamal Mukerjee, JC Kumarappa, Patrick Geddes, Albert and Gabrielle Howard, Mira, Verrier Elwin, KM Munshi, and M Krishnan — who, long before climate change became a global concern, wrote about critical ecological issues such as deforestation, water conservation and urbanisation.  

The conversation was both thought-provoking and insightful, emphasising the interconnected roles of local, regional, national and global perspectives in environmentalism. It also delved into the contrasting dynamics of stomach environmentalism and livelihood environmentalism across the global south and north. Additionally, the discussion explored the role of social media in shaping societal decisions, questioning whether a single click truly creates a long-term impact.  

Professor Guha shared that one of his motivations for writing this book stemmed from witnessing the emergence of a third generation of environmentalists at Krea and the growing urgency of the global climate crisis. During the pandemic, he revisited and expanded his earlier research, culminating in Speaking With Nature. He expressed hope that his book would inspire other scholars to delve deeper into Indian environmentalism — exploring grassroots movements, unrecognised individuals, or the broader spectrum of environmentalism in India before and after the Chipko movement.  

The talk left the audience with much to ponder, and reflect upon and a strong motivation to read Speaking With Nature.  

A report by Pranvi Khare, Cohort of 2027, SIAS

The Jazz Explorer Trio’s recent performance, presented by the Society for the Promotion of Indian Classical Music And Culture Amongst Youth (SPIC MACAY) at Krea University on December 2, 2024 (the second in a series of collaborations), beautifully captured the essence of global cultural exchange. Comprised of Danish artists Lars Møller (saxophone), Thor Madsen (guitar) and Jonas Johansen (drums), the group seamlessly melded jazz traditions with a global perspective. 

Their setlist featured tracks like Blues In Five, A Woman’s Purse, Moose and Know, showcasing their musical brilliance and their ability to weave cheerful, conversational rhythms into their compositions, creating a deeply moving experience. The trio also delighted the audience with previews of tracks from their upcoming album, inspired by Miles Davis’s iconic Kind of Blue.  

The evening had a magical quality, taking the audience on a journey through rich soundscapes, from the contemplative elegance of jazz to the playful, interactive exchanges between instruments. The performance highlighted the trio’s commitment to cultural dialogue, resonating strongly with SPIC MACAY’s mission to preserve and share diverse heritages. The connection between jazz improvisation and Indian classical music — both rooted in spontaneity and presence — was evident throughout, as the trio engaged in intricate, meditative interplay.  

The group’s deep engagement with Indian influences added layers of richness to their performance. Møller, in particular, has studied Indian classical music extensively, which informs their ability to blend these influences into their jazz compositions. This performance, reminiscent of the spirit of Kind of Blue or the quintessential So What, celebrated modal jazz — where simplicity meets infinite variation, akin to Indian classical ragas.  

This collaboration under SPIC MACAY exemplifies how jazz and Indian classical music, despite their distinct origins, demand the same sense of presence and spontaneity from both performers and audiences. The synergy of these traditions stands as a testament to the universal language of music and its power to bridge cultures. I eagerly look forward to future collaborations between SPIC MACAY and Krea University.  

A report by Pranvi Khare, Cohort of 2027, SIAS